Barbara Eberhart
Artist
Color Pencil

      A lot of people see my color pencil and think it must be pastel or watercolor, because I blend the color so carefully you can't see any pencil lines left.  (An exception is "Secrets" which I did on purpose that way)  When I draw, I keep the point of my pencil ultra sharpened, don't lean down too hard, and painstakingly build up layers of color to get the desired soft effect.  It's not unusual to spend over 100 hours on a drawing.  With pencil I feel free to explore avenues of surrealism, juxtaposing images of unrelated size and origin. Often I'll add images as they come to me, often not knowing what the finished product will look like till I get there.  Pencil is very relaxing for me  -  it's almost like a meditation sometimes. 

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My two children in teen years, caught between childhood and the adult world soon to come. We're all caught between our spirit world (heaven) and sensuous physical pleasures (earth).
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This is probably my favorite color pencil drawing - it's my darling son at 2 years old. Not only was he the cutest thing in the world (and still is!) I also loved the bubbles, butterflies, clouds and butterflies that keep the little guy company on his swing.
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Children have such an innocent joy in life! We were at the beach and I got this photo of my daughter showing off her brand new swim suit. What joy!
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When the lotus was in bloom, Ian invited me over to take pictures, knowing it doesn't happen often. Ian's pond was a miniature of the one Degas used for his inspiration, and my art classes enjoyed going there to sketch the waterlilies.
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The two little Hawaiian girls are telling secrets, like any little girls anywhere. They're probably talking about some boys in their hula class!
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When I was in college, abstract expressionism was all the rage. I don't do abstract, but this is as close as I got. It looks abstract, but it's really something: it's Fat Cells, greatly enlarged!
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That's my darling children again. I also call this picture "Taking Off" like the flying insect symbolizes, as they are taking off on the start of New Lives.
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I wrote a children's book titled "In the Swing of Things" staring my son Casey who was about 10 at the time. He goes throughout his day encountering creatures who give him advice and wisdom. This was the cover illustration for the book.
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I drew this when I first moved to Hawaii. I took that photo of the sun's rays behind a cloud, and someone on a floor beneath me was blowing bubbles out the window. I related to the insect flying upward as I was in a period of transition myself then.
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Misty was our cat at the time, and only really liked Casey. They were sleeping on the floor together one day, and I couldn't help but stand over them with my camera! It was a Kodak moment!
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Part of my interest in things that look abstract, but are really something, is this design of stuff found on the ocean bottom. I also did one of pond scum magnified. Cool, huh?
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Linda commissioned this picture, she said put in pyramids, orchids, a rainbow, dolphins and gem stones. I kindof like the look of this.
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Right before I moved to Hawaii I did this picture, and had a one-woman show at California State University, Sacramento. Knowing I was about to leave and change my life, it was everything I had done Up Until Now. That's why the grasshopper is in full flight (like me) and the orchids hint at where he'll be flyng to.
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Obsession in it's destructive form can appear like addiction, and it can be to anything. The figure is truly flirting with danger, lovingly cradling the snake as it's about to strike her. In the grips of obsession like this, we see it reduce her to crawling on her belly much like the catapillar on the stem the snake becomes. First of a triptych titled 'Recovery Series'.
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Free at last! The snake has become bubbles no longer troubling her, and the catapillar has become a beautiful butterfly, able to soar into the heavens. Third in a triptych titled 'Recovery Series'.
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Rising up beyond the deadly pull of the snake, but still not totally rid of it, she is stretching to pull out of her comfort zone just as the emerging butterfly struggles to free itself. Second in a triptych titled 'Recovery Series'.
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